- AVICII DISCOGRAPHY WORDPRESS ARCHIVE
- AVICII DISCOGRAPHY WORDPRESS OFFLINE
- AVICII DISCOGRAPHY WORDPRESS SERIES
AVICII DISCOGRAPHY WORDPRESS OFFLINE
Plus, it’s great that Mixcloud Selects allows our subscribers to enjoy the mixes with offline listening and without ads. We already have an audience on Mixcloud who may not stream our content on other platforms. With the 30 th anniversary of the club we thought it was the best time to go through the archives and celebrate 3 decades of music with the Ministry of Sound. We also share continuous mixes of our compilations including the well-known Annual series.
AVICII DISCOGRAPHY WORDPRESS ARCHIVE
But with the demise of the touring market a new strategy has been employed with particular focus on playlisting and curation.įor those that don’t know, how expansive is your digital archive and why is it important for you to bring it to Mixcloud now?ĭP: Over the years we’ve accumulated and created a wealth of content from club mixes to exclusive artist content. It helped land global hits for the likes of Regard, Riton, Paul Woolford and an international roster including the likes of Doja Cat and Tate McRae. In 2016 Sony Music acquired the label in a move which further strengthened Ministry’s position. In 2009 we decided to house all the releases under ‘Ministry of Sound’ which became was bolstered by a string of hits including Duke Dumont’s ‘Need U (100%) and Storm Queen’s ‘Look Right Through’ as well as hit acts such as Example, Sigala, London Grammar, DJ Fresh and Wretch 32. As well as the likes of Eric Prydz’ “Call On Me” which was (and still is) one of the biggest dance hits of our time. With ATB’s seminal trance classic ‘9pm (Till I Come)’ becoming the first Number 1 single for the label. This spawned a hugely successful compilations business which included brands such as Clubbers Guide and Trance Nation.Īs the dance music scene changed in the early 90’s with trance becoming more popular Data Records was born which became Ministry’s commercial dance label arm. The first one mixed by DJ Tony Humphries, then quickly followed ‘The Annual’ which became Ministry’s flagship album mixed by the likes of Pete Tong, Boy George, Judge Jules.
AVICII DISCOGRAPHY WORDPRESS SERIES
The compilation series came next, the first of which was ‘Sessions’ a series created in 1993.
Offshoots started from there ‘Rulin’ was the sound of Friday nights alongside brands like ‘Frisky’ and ‘Open’. Marking the 30th year of Ministry of Sound this year, what have been some of the defining moments in MoS’ club or label history?ĭipesh Parmer: The label was originally born out of what was being played at the club and it was originally known as ‘Sound of Ministry’ in the early 90s. In celebration of this partnership and their 30th anniversary, we sat down with the President, Dipesh Parmer and General Manager, Negla Abdela to discuss MOS’ journey so far. Last week we announced our exciting new partnership with this influential institution and Mixcloud is now the exclusive home for all of their legendary compilations. But as for the archive, that’s being hosted digitally with us. ‘Dance Nation’ being one of MOS’ biggest playlists has over 250k listeners on Spotify. With the nightclub closed, the Ministry capitalized on playlisting and live streaming. And that discography has served them well during the pandemic. Today, the Ministry’s archive feels practically limitless. But after the Ministry joined forces with Sony in 2016, the label took on new acts outside of dance music like Doja Cat or Joey Badass. Many of us discovered MOS through their long standing compilation albums, The Annual or The Session. What started off as a London based nightclub in Elephant Castle, became one of the most influential labels, brands, and international entertainment businesses in electronic music.
Today, we are celebrating that 30-year success story. Since 1991, the Ministry of Sound has dominated dance music.
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